Bobbin Lace Patterns Free Download
- The art of bobbin lace: a practical text book of workmanship in antique and modern lace including Geneoese, point de flandre bruges guipure, duchesse, Honiton, 'raised' Honiton, applique, and Bruxelles: also how to clean and repair valuable lace, etc.: Tebbs, Louisa Augusta: Free Download, Borrow, and Streaming: Internet Archive.
- Bobbin Lace Patterns: 37 Patterns With Tear-Out Prickings Tiny Zwaal-Lint, Pamela Nottingham on Amazon.com.FREE. shipping on qualifying offers. Bobbin Lace Patterns: 37 Patterns With Tear-Out Prickings.
- Aug 17, 2020 - Explore Ice Angel's board 'Lace books', followed by 284 people on Pinterest. See more ideas about bobbin lace, bobbin lace patterns, lace.
Welcome to all bobbin lacemakers.
If you see a pattern and would like the pricking in a different size or for a different thread, please let me know - I shall try to produce the pricking to your specification. Click on the appropriate bobbin below for more information about the patterns for each lace and to see worked examples of the available patterns.
First I must apologize to everyone who has looked at my web siterecently and found that it had not been updated for a long time. My webhost went out of business without warning and I could not gain entry to the siteto do anything about it. Hopefully, the problem has now been sorted and mynew web host will behave itself!
During the time when I could not reach my website to update it,I have had to increase prices slightly. I'm sorry, but I could not absorb theincrease in production costs any longer. I have tried to keep the increaseas low as possible.
I design bobbin lace patterns and supply them printed on pricking card.
Each pattern has the necessary working lines printed for the fulllength of the pattern. The patterns are therefore ready to prick. This means that you do not need to do any time-consuming marking up.
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For each design a ready to prick pricking, a picture of the completed laceand details of thread and number of bobbins needed to work the lace are given.
A working diagram is also included with the majority of prickings. Ihave stated on the relevant pages of the web site which patterns do nothave a working diagram.
The prickings are drawn using a computer I think this is the method whichproduces the most accurate prickings and as all lacemakers know, an accuratepricking is essential for working good lace.
The designs include
- Bucks Point
- Torchon
- Dis-Torchon
- Bedfordshire
- Braid
If you see a pattern and would like the pricking in a different size or for adifferent thread, please let me know - I shall try to produce the pricking toyour specification.
Click on the appropriate bobbin below for more information about the patternsfor each lace and to see worked examples of the available patterns.
I produce a fully illustrated catalogue and sell by MailOrder. If you would like to know more about the catalogue, how toobtain one or how to order patterns please click on the bobbin below.
If you would like to learn more about me and my lace historyplease click on the bobbin below.
If you would like to learn more about my latest designs and whatI am working on at the moment please click on the bobbin below.
Click on the bobbin below to go to other web sites which you mayfind interesting.
Updated 7th June 2004
| lynxlace.com Learning Bobbin Lace - Learning Samples © Lorelei Halley 2012 |
torchonpoint groundFlandersValenciennesParis Mechlin BincheBedfordshireCluny
tape laceBruges bloomworkHonitonDuchesse Withof
This page is a collection of the little samples I've made while learning various styles of bobbin lace. I am a sort of methodical plodder.
See New revival for intermediate and advanced bobbin laces. See2 Structural Classes for description of differences between the various kinds. Newest
Straight Laces
Torchon* These are from my book TORCHON BOBBIN LACE LESSONS. | ||||||
wave motif | fan | 3 point diamond | ||||
| shell | shell | crescent | crescent | |||
Point Ground This includes Bucks point, Tønder, Bayeux, Ret-Fi, Chantilly, Blonde, Polychrome de Courseilles. * See also 19th c Point Ground LacesModern Point Ground Characteristics & distinctions from torchon. | |||||
| point ground above, honeycomb ground below | point ground | honeycomb ground | lace723 LH honeycomb ground with gimp | ||
| Small pea - Bucks | church window/plum pudding - Bucks | lace 95 Nyrop-Larsen | Nottingham p133 lace477 | lace803 Maidment p 172 | sheep's head design lace478 Wright p33 |
| lace 480 Hamer 5.4 | lace479 Nottingham p 198 | lace476 Hamer 6.1 | lace802 Nottingham 192 | lace804 source unknown, possibly Nyrop-Larsen | |
| kat stitch | kat stitch | fwb/Geraldine Stott LH | floral Bucks point, 1st attempt | ||
Bedfordshire19th c examples. Modern ExamplesCharacteristics.* | |||||
| From 2 pamphlets by Margaret Hamer PILLOW LACE, BOOK I, 1975 and PILLOW LACE BOOK II, 1977. | |||||
| 573 LH fbb/MH 1.1 | 574 LH fb/MH 1.2 | 572 LH fbb/MH 1.4 | 509 LH fbb/MH 2.1 | 508 LH fbb/MH 2.3 Where new colors appear I added new threads. | |
Any shape of bobbin will work. Just match it to your thread size. | |||||
| 417 LH fbb/Hamer II.5 | 417 LH fbb/Hamer II.5 | 142 LH fbb/MH 2.6 | |||
I recommend a cookie shaped pillow for Bedfordshire because the patterns often have braids moving backwards for short distances, and this is very awkward on a roller pillow. | |||||
| From Pam Robinson A MANUAL OF BEDFORDSHIRE LACE | ||||
| 505 LH fbb/Pam Robinson 2 & 4 | 506 LH fbb/Pam Robinson 8 | |||
| From various books by Pam Nottingham BOBBIN LACE MAKING is one. | |||
| 507 LH fbb/Pam Nottingham 23 | 454 LH fbb/Pam Nottingham 13 Luton Museum | 700 LH fbb/Pam Nottingham 14 | |
| From Barbara Underwood INTRODUCING TRADITIONAL BEDFORDSHIRE LACE IN 20 LESSONS | ||||
| LH fbb/Barbara Underwood, 20 LESSONS, pattern #4 | LH fbb/Barbara Underwood, pattern #5, enlarged to 149%, worked in #80 tatting cotton | LH fbb/Barbara Underwood #6, enlarged to 160%, worked in #60/2 linen + Moravia 40/2 linen. | LH fbb/ Barbara Underwood #7, enlarged to 180% worked in Bockens linen 50/2. | 474 LH designed by Barbara Underwood, pattern #8, enlarged to 180%, worked in Bockens linen 50/2. |
| * | ||||
| LH lace 475, pattern #9 from Barbara Underwood | I'm getting better at endings. | |||
| These 2 weird samples were made when a student wanted to try a collar pattern. I saw that making a diagram or series of diagrams was going to be very much work. So I decided that enlarging the pattern to 300% and using colored pearl 5 might be easier. These were actually stretching my own competency at the time, so I needed to work a sample anyway to prove to myself that I could do it before trying to teach a student. Wherever you see a new color appearing out of nowhere, that is where I hung in some new threads. The long tails are pairs I cut out when the trail became too dense. My solution for 712 has room for improvement. | |
| 711 LH fbb/pn collar from Luton Museum | 712 LH fbb/bu pl 9 pg 48 |
Cluny These are all from the LePuy school. revival era ClunyModern examplescharacteristics* | |||
| Simple laces, include 1. connecting braid to foot 2. windmill join (crossing 2 braids) | |||
| These all involve crossing single pairs through braids, or abstracting single pairs from a braid. | |||
| These involve using the central pin more than once. At each successive pass you lift out the pin, make the new stitch, replace the pin, pushing the threads upwards. | |||
| Creating a braid of more than 2 pairs. | |||
I designed the corner. | These demonstrate the Cluny method of connecting a braid to the cloth trail. Two braid pairs enter. One of them plus the old weaver, move into the departing braid (green lines). The other entering braid pair becomes the new weaver (blue). | ||
Flanders See also revival era Flanders. Modern examplesCharacteristics. * | ||||
| Flanders Ground: new, old, cloth stitch | 2 pairs enter at each pin. Clothwork has weaver and passives changing places. | traditional: The Flag | From Rombach de Kievid | from Rombach de Kievid |
| traditional: Heart | Mary Niven's version of the Cardinal's Hat. I worked each corner differently. 1st is top right - worked per Niven's diagram. 2nd & 3rd - 2 bottom - were my inventions, neither any good. Last - upper left - worked per Niven's diagram, but I added 2 pairs for the thickest part of the hat. | I redrew the traditional pattern for the Cardinal's Hat, to make it neater. | traditional pattern: The Shoe | traditional: The Lantern. I redrew it to make it neater. |
| the ape | ||||
Valenciennes See also 19th c Val. Revival era Val. Modern Val.Characteristics* | |||||
| fwb/Yo Pauwels | |||||
Paris See also revival era Paris. Modern examples. Characteristics.* |
Binche See also revival era examples. Modern ExamplesCharacteristics.* | |||
large snowflake lower half in half stitch | snowflake in a ring | snowflake in a frame | fbb/Annick Staes |
small snowflake | |||
Part Lace CharacteristicsMore*
Bobbin Lace Patterns Free Downloads
Tape Lace (Bobbin Tape Lace) See also 19th c tape laces. * Revival era tape laces. Modern Tape LacesCharacteristics | |||
| lace466 Mincoff & Marriage | lace 18 DMC Encyclopedia | DMC #47. See lesson for this. | |
| These 4 are from my INTRODUCTION TO RUSSIAN TAPE LACE | |||
Bruges See also revival era fine bloomwork. Modern BloomworkCharacteristics* | |||||
| These are some of the standard motfis typical of modern Bruges Bloomwork | fbb/Rombach de Kievid | ||||
| . | |||||
| fwb/Yo Pauwels | |||||
Duchesse. * See also 19th c Duchesse. Modern DuchesseCharacteristics. | |||||
| fwb/Carola Van Hout-Geelen | From a workshop in Philadelphia. Designed by Sister Judith. m/b LH | ||||
Bobbin Lace Patterns Free Download Template
Honiton See also 19th c Honiton. Modern HonitonCharacteristics. * | |||||
| fwb/Sheila Wells | fwb/Sheila Wells | fbb Elsie Luxton | fbb/ Elsie Luxton | fbb/ Suzanne Thompson | fbb Suzanne Thompson |
| fbb/Maidment. 30/2 linen | |||||
Site map Posted July 3, 2012. Last edited: 01/19/20